That Drifting Excrement Was Way Too Symbolic! These Are the Television Disappointments of the Year.

Looking back, we reflect on the TV offerings of the past year, a handful of shows emerge not for their excellence, but for their notable failures. From awkward sequels to bafflingly poor docuseries, here are the programmes that had us scratching our heads or simply reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Burdened with woeful writing, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show struggled to find its footing. For a moment, as the final series began, it seemed as if it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. No wonder the creator announced this would be the last series. It ended on a bum note; the closeup of Miranda’s toilet flooded with poo was simply too on-the-nose. Still, fans undeniably found joy picking apart every single “wtf?” episode. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who didn’t release a small sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the least of this show's issues. The recipient of a exceedingly uncommon no-star assessment, it was hard to know where to start enumerating the flaws. The hilariously leaden dialogue? The mind-numbing glorification of wealth and consumption? The seemingly wilful procession of tropes? Performances so poor they felt borderline spiteful? Let’s just say “each and every one” and forget about this show again. Except, a new season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, domestic violence claims and fatherly shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d really have gleaned it from this three-part documentary which smirked its way at Sheen’s various bouts of reckless hedonism while failing to tell us a single thing we weren't already aware of. Rather, it felt as if this loose cannon was being indulged, so any sympathy this series might evoke should be saved for the people who have had to endure proximity with this charming but dismissive narcissist.

The Supercomputer Drama

Naturally we knew it was preposterous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of sheer admiration for its stars … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy characters meeting in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t suffer the ignominy of having to accommodate unconvincing dialects. But there were plenty of other problems. Primarily that it was just profoundly dull; a dispute over narcotics territory between various London rogues which seemed a bit basic.

The Meghan Markle Series

Given the degree to which she grinds the gears of the nation’s performatively enraged commentators, it’s temptingly easy to applaud the Duchess of Sussex’s various ventures into quaint lifestyle as intentional statements. But then you watch them and are forced to admit that actually, they may have a point. It’s like watching a homeware catalogue animated; a meme for wine o’clock with delusions of grandeur; a procession of sleeping dogs, buzzing beehives, sentimental platitudes and pointless crafting “hacks” you’ll not remember instantly. All underpinned by vast, largely unearned wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be said about both Victoria Beckham and her journey with career, identity, self-worth. But for whatever reason, this three-part series opted not to say them. Rather, the experience was like reading a sales brochure. She clearly has good reason to resent what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this guarded letdown of a series.

The Game Show

It should have been the next big hit – except even more extravagant, with a glamorous star as a deceased benefactor and a sharp-tongued personality overseeing her inheritance. What more could you ask for? As players battled it out, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s even now too confusing to explain what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The series ended up smelling of a programme that was trying way too hard to live up to something way beyond it.

The Lena Dunham Romcom

How does one succeed a show that captured a generation? The expectation was enormous for this glitzy romantic comedy about Jessica, a hopeful New Yorker who lands in London with a broken heart. The star seized the opportunity by the horns and was a delight to watch, reveling in Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was not enough. Plus, the abundance of celebrity friends involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the smart recruitment of gifted younger comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have remained in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be handled with care. Rather, the series laboured awkwardly to find the right voice, lumbering from oddly breezy, slightly mannered farce to inevitably, real-life horror. Complex? Arguably. A complete mess? Very much so.

Prime Target

We admire the star … but did we believe him playing the most brilliant maths genius since, a man so intelligent he’s on the verge of a breakthrough that could ruin society? Nope! This international thriller about secret services spying on – and killing off – intellectuals honestly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the content creator notorious for explicit exploits as she prepared for her most extreme feat yet. What on earth would possess her? What we craved was far greater interrogation of her actual psyche, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to drag her son away from the queue. What we got was horrific shots and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Peggy Simon
Peggy Simon

A speculative fiction writer who crafts immersive worlds in under 1,000 words, blending mystery and fantasy elements.

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